Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Best Years of our Lives (1946)
Detective Story (1951)
It's not the most obvious film noir but makes up for that in a mighty cast, with a mighty punch, based on a play by Sidney Kingsley. This picture also brings up the tricky subject of police brutality — something that should have been against the Production Code of the time — and yet which still forms the central moral aspect of this piece.
Detetcive Story is a brilliant cop-on-the-edge narrative, a form familiar to film noir. Kirk Douglas is that cop, every bit as tense and nervous as Robert Ryan in On Dangerous Ground (1951); or maybe Sterling Hayden in Crime Wave (1953).
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