Margin for Error (1943)

Margin For Error (1943) is a flashback Otto Preminger anti-Nazi screwball German American Bund, or the German American Federation (German: Amerikadeutscher Bund, Amerikadeutscher Volksbund, AV), German-American Nazi organization military and beat cop forced Nazi marriage with black comedy Jewishness versus Nazi gambling goose-stepper lousy husband and abused wife black comedy by Otto Preminger and starring Otto Preminger, and Joan Bennett, based on a play by Clare Boothe Luce and somewhat improved upon the play in its own way, starring Milton Berle in classic comic form, with Carl Esmond as Baron Max von Alvenstor, Howard Freeman as Otto Horst (the American Führer), Clyde Fillmore as Dr. Jennings, and Poldi Dur as Frieda (as Poldy Dur) personal maid to the villainous Karl Baumer (General Consul of Germany), whackily portrayed by Preminger, and delivered with good Jewish humour and a constant comic return to the name of the character played by Berle — Officer Moe Finkelstein.

From the Earth to the Moon (1958)

The Cotten Sequence, or Joseph Cotten Season, proceeds with understated poise, its pleasures evenly shared, although obliging us to view this non-noir folly of fifties fantasia and filmation, we are not always best delighted.

From the Earth to the Moon (1958) is a Byron Haskin Jules Verne Civil War space rocket science fiction revenge and rivalry sane scientist drama featuring a cold war mutually assured destruction power that can destroy the earth action special effects adventure movie with Joseph Cotten, Debra Paget, George Sanders, Byron Haskin, Henry Daniell, Carl Esmond and Morris Ankrum. Oh cielo, questo non è un film noir!

Experiment Perilous (1944)

Experiment Perilous (1944) is a historical melodrama lousy husband suspicious couple insane jealousy film noir tale of  shattered glass, gushing water and floundering fish noir, yes aquarium film noir, and a crazy virtual prisoner drama of noirish proportions.

Tis indeed a film noir which is of those high-class nightmares wrapped in velvet, but make no mistake—it’s got a black heart beating under all that lush, shadow-soaked atmosphere. It’s a tale of gaslight and doom, where dames aren’t sure if they’re crazy or just trapped, and every smooth-talking gent’s got a trick up his sleeve.

The story kicks off when square-jawed psychiatrist Dr. Huntington Bailey (George Brent) stumbles into a real honey of a mess. A train ride and a chance meeting lead him straight into the twisted world of rich and refined Nick Bederaux (Paul Lukas), a husband with a mind like a steel trap and a grip on his wife, Allida (Hedy Lamarr), so tight it’s choking the life outta her. She’s a knockout with trouble in her eyes, and Bailey starts wondering if she’s really losing her marbles—or if her charming hubby is playing a slow, deadly game.

Walk A Crooked Mile (1948)

Walk A Crooked Mile (1948) is a red scare domestic espionage thriller paranoia film noir which presents in an exciting and effective manner, the values and festivities pertaining to the rise of anti-Communist sentiment in post-war America.

This iteration of the hunt for the devil's doctrine itself and was presented around the first time that the widespread corrupting influences of socialism and its violent social counterparts became a public concern via the medium of public discussion.

Depending on where you are in noir the communists can be anything at all, from plain criminal mooks to dark bearded Victorian villains, or even the person next to you on the bus, the most innocent looking citizens of all. There are also the corporate types, the communists of ideology and those who have infiltrated our organisations and even our government. All of it is here, and made up for the screen.