Showing posts with label Virginia Field. Show all posts
Showing posts with label Virginia Field. Show all posts

Appointment with a Shadow (1957)

Appointment with a Shadow (1957) is an alcoholic journalist switcheroo murder pursuit battle with the booze film noir from the far end of the noir style.

As well as a searing enough tale of conflict between man and bottle, Appointment with a Shadow (1957) tells a strange criminal face-lift noir, back from when face changes as plot device were as firm a fantasy as film could enjoy, and so in this instance it seems credible that a criminal mastermind has only to put it about that he has had his face changed, and confusion reigns.

Dial 1119 (1950)

Dial 1119 (1950) is a psychopath hostage film noir starring Marshall Thompson as a sick young man who steals a gun and then takes a group of hostages in a cosy bar rom, tended by William Conrad in one of his rare non-cop nor killer noir roles.

The telephone number "1119" is the police emergency number used in the film, which could be classed as one of several prominent telephone noirs from the golden age of Hollywood cinema.

Delusional mental patient Gunther Wyckoff (Marshall Thompson) escapes from a mental institution, intent on locating psychiatrist Dr. John Faron (Sam Levene), whose testimony sent him to the asylum. 

Wyckoff arrives by bus in the rather interestingly named Terminal City, and as he disembarks, he is confronted by the bus driver for stealing his Colt pistol. Wyckoff uses it to kill the driver.

Repeat Performance (1947)

Repeat Performance (1947) is a lousy husband murder fantasy amnesia film noir with Joan Leslie, Louis Hayward, Richard Basehart, Tom Conway and Virginia Field.

One of the strengths of 1940s film noir was the element of the fantastic, which was often created by closed studio sets and incredible coincidences in the storytelling, in which characters acted out dark fantasies for real, with as little realism as possible — another world often being created by the mis en scene and the strange happenings.

Repeat Performance (1947) is something of an outlier in that the fantasy within it is manifest. Like other film noir which quickly taps into a national unconscious and plays out a murderous what-if, Repeat Performance tells a wild story in which the wild elements are simply givens that are accepted from the off.