As well as a searing enough tale of conflict between man and bottle, Appointment with a Shadow (1957) tells a strange criminal face-lift noir, back from when face changes as plot device were as firm a fantasy as film could enjoy, and so in this instance it seems credible that a criminal mastermind has only to put it about that he has had his face changed, and confusion reigns.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Appointment with a Shadow (1957)
Dial 1119 (1950)
The telephone number "1119" is the police emergency number used in the film, which could be classed as one of several prominent telephone noirs from the golden age of Hollywood cinema.
Delusional mental patient Gunther Wyckoff (Marshall Thompson) escapes from a mental institution, intent on locating psychiatrist Dr. John Faron (Sam Levene), whose testimony sent him to the asylum.
Wyckoff arrives by bus in the rather interestingly named Terminal City, and as he disembarks, he is confronted by the bus driver for stealing his Colt pistol. Wyckoff uses it to kill the driver.
Repeat Performance (1947)
One of the strengths of 1940s film noir was the element of the fantastic, which was often created by closed studio sets and incredible coincidences in the storytelling, in which characters acted out dark fantasies for real, with as little realism as possible — another world often being created by the mis en scene and the strange happenings.
Repeat Performance (1947) is something of an outlier in that the fantasy within it is manifest. Like other film noir which quickly taps into a national unconscious and plays out a murderous what-if, Repeat Performance tells a wild story in which the wild elements are simply givens that are accepted from the off.
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