Waterloo Road (1945) presents itself, at first glance, as an agreeably told anecdote of domestic turbulence during the Second World War, yet such phrasing obscures the severity of its intervention.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Waterloo Road (1945)
Night of the Demon (1957)
For who could be more noir than noir's Jacques Tourneur, director of the quintessential expression of the style, that is of course Out Of The Past from 1947, one ten year decade hence, noir incarnate no less.
Yet still who more noir than Dana Andrews, too, quite the figure of the film style, a man of noir, and one of the solids of the medium?
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