It's not the only time Haas plays the gentle and elderly immigrant hooking up with a young American girl, show girl or sass girl, we certainly get soem single mom showgirl favours for old watchmaker dudes in this on the face of it and yet in the depths of it also, innocent hass-time fun.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Girl on the Bridge (1951)
Pickup (1951)
With its scuzzy setting, between the old railway shack where Hugo Haas' vulnerable old widower lives, the nearby fairground, and the rails themselves, it is a simple an exploitative tale, assuming the worst of the wicked female lead, and the worst of her husband, the sap, the mark in this matter, the man she marries for money.
.png)
.png)