Jeez I asked the LLM what it thought about that and guess what it was happy to spit. We will return to that.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Leopard Man (1943)
Two O' Clock Courage (1945)
For 1945 this is powerful stuff, a seminal seminar in crossover and able to tell you more about history, narrative, meta-history, film-making, World War 2 and the USA than Citizen Kane might ever.
Mind you, this is virtually post-the-war and the thing hasn't gone off yet, it's one the last pictures from Innocentlandia.
Youth Runs Wild (1944)
The returning veteran aspect is unusual and not entirely noir in its outlook, as Kent Smith plays Danny Coates who returns wounded to his old working class neighbourhood and takes up a mission to keep the toddlers safe.
As a kind of side-mission to this, he is obliged by the local oldie judge to take care of some teenage tearaways, but he doesn't seem to succeed at this, and the teenagers tear right off and into Juvenile Hall.
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