Packed with fun, action and menace, and oddly replete with cinematic meta-mechanics, Dillinger (1945) cannot be flawed for anything other than historical accuracy.
Historical accuracy might have gone against the grain, too. The minute makers of 1945, fresh off the tracks of the great crime film experiments of the 1930s, which incidentally probably amount to the greatest body of work of 1930s cinema, were imminently to collide with state forces and the Production Code was in fullest sway, and so accuracy might have been well sacrificed.
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