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The Set-Up (1949) is a high-intensity weakened male failing old timer boxing set-up patsy takes a dive real-time action concept classic film noir based on a narrative poem published in 1929.
The streets of the night with their emphasis on fun, with arcades and bars, and cigar stands and joints of all sorts, are seen as places of isolation as Julie walks them without aim, unable to watch her man Stoker take part in another fight.
Existential expression is often key to film noir, and of course Albert Camus needed to go to the cinema too, and would have ideally found confirmation of his philosophical expression in a picture such as this.
