Witness To Murder (1954)

Witness To Murder (1954) is a citizen sleuth misogyny and violence against women inept cop and de-Nazified murderer and sympathetic sceptic cop procedural LA based thriller with a rooftop denouement and paranoid woman in a racist sanatorium film noir from the early hey days of the victimisation of females genre of film noir, starring Barbara Stanwyck as the silly victim of a murderous persecution and George Sanders as a creepy killer guy, and Gary Merrill as a cop who believes nothing any woman says, because all women are dreamers and fantasists and cannot be trusted to look out a window without making up a whole murder plot.

Women's Prison (1955)

Women's Prison (1955) is a high period women's prison drama film noir, with a wealth of noir talent and an outré head of steam as it tackles psychopathically sublimated sexual suppression in the form of a violent warder played by Ida Lupino.

Jan Sterling, Audrey Totter, Juanita Moore, Cleo Moore make a cell block of sass and noir dialogue, while outlandish banter and bravado make stir seem fun, although not for the mortally bullied cracked up manslaughter case of a gentle woman cast into hellish chokey, played by Phyllis Thaxter.

Howard Duff plays a pipe pokin heart throbbin prison doctor, who is deeply concerned for the welfare of in particular Phyliss Thaxter's broken form, as she is strait-jacketed, broken, and psychologically torn apart.

Affair in Trinidad (1952)

Affair in Trinidad (1952) is an exotically located crypto-Nazi post-war thriller vehicle for the return of Rita Hayworth who had wowed the world in Gilda, and appears here collided once more with some of the same cast including the rough and sarcastically toned Glenn Ford and the bumbling native idiotically styled  craven lackey themed performance by Steven Geray.

It is not as bad as it sounds, and although not a classic noir nor even a noir much discussed, nor a classic of any kind of noir not even non-noir or faux-Caribbean noir, for anyone in the swing of the full film noir journey much of the usual enjoyment is found here, in both the slightly angrier than usual performance from mug in the tropics, Glenn Ford, and the constant soft-focus camera lingering on the multiply costume changed gorgeousness of Rita Hayworth.