So Evil My Love (1948)

So Evil My Love (1948) is a gaslighting and bullying historical art-forgery and murder paranoid woman fog based faux-gothique period noir multi lousy-husband social and society mix of madness, poison, Caribbean cures, old time maritime malaria, and gaslight, was gaslight ever mentioned. Gaslight.

The women's movies of film noir, the overlapping themes of gaslighting men and paranoid women, and old houses and a stripped back gothic that retains none of the deep psychology but has everyone in the extremist of states all of the time, these women's movies are troped to the core with such material as is found in So Evil My Love (1948).

Walk East on Beacon (1952)

Walk East on Beacon (1952) is a procedural red scare voiceover documentary style detective versus communist manhunt plodding screed of a film noir crime picture, roughing up the reds who are russifying the States with their mean mob tactics.

Eye on the prize the Communists know what they want in the form of America's most TOP SECRET space diagrams, showing the dream revolving space station envisaged by the tech wisdom and fantasist futurists accelerationists of 1952.

With a clip shot of Hoover refusing to look at the camera Walk East on Beacon (1952) is a fed-dreamboat of technological noir as the movie artfully shows the latest and best in detection methods.