The Undercover Man (1949) is a Joseph H. Lewis procedural Capone-inspired cops and gangsters corruption and organised crime oddly neglected G-man IRS Burnett Guffey class-act street photography special gangland mob boss and determined cop chase-off class but not classic crime film noir with Glenn Ford, Nina Foch, Barry Kelley, Judith Warren, James Whitmore, George Pappas, David Bauer and Howard St. John.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label Howard St. John. Show all posts
Showing posts with label Howard St. John. Show all posts
World in My Corner (1956)
World in My Corner (1956) is a struggle for glory and battle against the corrupted self and the odds emotional, the odds social, and the odds feminine-style of boxing film noir and one of Audie Murphy's rare as hen's teeth contributions to the film noir style.
Ten solid minutes of this film is one boxing fight alone? Well for effect this is almost experimental.
World in My Corner, a 1956 American film noir drama, directed by Jesse Hibbs and featuring Audie Murphy, Barbara Rush, and Jeff Morrow, does in its onw manner of standing function as a notable entry in the annals of mid-20th-century cinema insofar as yes, it's an Audie Murphy noir, or attempt at the noir style, and well, the Large Language Models will say anything, and are happy to spraff about films they have not seen.
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