Steve Cochrane grimaces dirty smirking handsome revenge as con Chuck Daniels, a name we should have left at the cell door. Chuck it is though. Chuck is angry. Chuck is gritty. Chuck wants to chuck it all. He is pure dirty fed up with stir.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Inside the Walls of Folsom Prison (1951)
Women's Prison (1955)
Jan Sterling, Audrey Totter, Juanita Moore, Cleo Moore make a cell block of sass and noir dialogue, while outlandish banter and bravado make stir seem fun, although not for the mortally bullied cracked up manslaughter case of a gentle woman cast into hellish chokey, played by Phyllis Thaxter.
Howard Duff plays a pipe pokin heart throbbin prison doctor, who is deeply concerned for the welfare of in particular Phyliss Thaxter's broken form, as she is strait-jacketed, broken, and psychologically torn apart.
House of Wax (1953)
House of Wax, filmed under the working title The Wax Works, was Warner Bros.' response to the unexpected success of the 3D film Bwana Devil, which premiered in November 1952.
Recognizing the potential of 3D technology, Warner Bros. adopted Julian and Milton Gunzburg's Natural Vision 3D system, the same system used in Bwana Devil.
They chose to remake their 1933 Technicolor thriller, Mystery of the Wax Museum, originally based on Charles S. Belden's play The Wax Works.
While Mystery included a newspaper subplot and was set in its release year, House of Wax, set around 1902, retained much of the original's plot and dialogue.
He Walked By Night (1948)
Drain dwelling hi-technology oscillograph and television projector building full fat classic film noir, He Walked By Night may also be appreciated for the stunning array of tech gadgets and insight into the technical electronic industry as it might have stood in 1948, as well as its stunning lack of female actors and characters and for what it says about the battles for social control that went on as fascism was unspooled across social institutions after World War II
Gun totin and fast moving, He Walked By Night rides through the night of course, that being its charm, and of course it's night in the storm drains too, where master lone wolf Richard Basehart - the character's name is Roy Martin or Roy Morgan - has a stash of guns too.
When it comes to doggy nemesis none are harder and cleverer and more determined and sharp as Scott Brady, who also plays a mean police milkman when need be.
Outside The Wall (1950)
However this is film noir and fate comes a-calling as do three women at once for hapless sap in a cap Richard Basehart as he negotiates his way into peril and romance.
Outside The Wall (1950) performs as a fairly standard film noir with its story of a man going straight being dragged by the heels back into the world of crime.
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