That finale is a film noir fiction, and this film noir has one of the less noir-like summations as we return to the scene of the real crime, which is suburban America bub.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Steel Trap (1952)
Scandal Sheet (1952)
Scandal Sheet (1952) does remain an engaging noir film directed by Phil Karlson, featuring Broderick Crawford as managing editor of a sensationalist newspaper, John Derek as an ambitious reporter, and Donna Reed as a principled journalist. Based on Samuel Fuller's novel The Dark Page, the film opens with the murderer's identity revealed—editor Mark Chapman (Crawford) kills his ex-wife, setting off a tense storyline as he encourages his staff to solve the very crime he committed.
Dead Man's Eyes (1944)
Fairly silly and not universally enjoyed, Dead Man's Eyes (1944) is a basic production to say the least, and is fairly static in terms of its acting and direction, and so quite easy to see why it is not so widely enjoyed as other films noir might still be.
Indeed, for a love triangle picture it is even hard to imagine any of the characters having any true feeling for each other, but then in a cinematic landscape where nothing makes total sense, then nothing particularly matters either.
Hangmen Also Die! (1943)
- director Fritz Lang
- playwright Bertolt Brecht
- composer Hanns Eisler
- and actor Hans Heinrich von Twardowski
When he is assassinated by a surgeon (played by Brian Donlevy), the city is locked down and the doctor must rely on the help of the resistance to evade capture.
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