The Hunchback of Notre Dame (1939)

The Hunchback of Notre Dame (1939) is a classic studio spectacle pathos and adventure love survival and corruption tale of technological progress and dark age tale of guilt, compulsion, and claustrophobic urban darkness and starring, Charles Laughton, Maureen O'Hara, Cedric Hardwicke, Thomas Mitchell, Edmond O'Brien, Walter Hampden, George Zucco and George Tobias.

The Set-Up (1949)

The Set-Up (1949) is a high-intensity weakened male failing old timer boxing set-up patsy takes a dive real-time action concept classic film noir based on a narrative poem published in 1929.

The streets of the night with their emphasis on fun, with arcades and bars, and  cigar stands and joints of all sorts, are seen as places of isolation as Julie walks them without aim, unable to watch her man Stoker take part in another fight.

Existential expression is often key to film noir, and of course Albert Camus needed to go to the cinema too, and would have ideally found confirmation of his philosophical expression in a picture such as this.

The Tattered Dress (1957)

The Tattered Dress (1957) is a small town courtroom corruption drama film noir which pits a supposedly corrupt New York lawyer against the definitely corrupt Sherriff of a small town California resort.

A mixture of commentary and caper, sexual molestation and revenge, domesticity versus barbarism and big city manners versus straight-talking small town mentality, The Tattered Dress (1957) is a combination of tropes, all of which are settled in courtroom scenes dark alleys and in the luxury homes of the wealthy resort dwellers.

A slick and effective tale of violence, corruption, foul play, conspiracy, lies and relentless vengefulness, The Tattered Dress evokes late film noir style. Not the obfuscous and stygian shadowy affair that might be typical of 1940s film noir, the evolved style fits the wider screen and the greater amount of light, almost anticipating the later life the movies would have on television, there are longish courtroom scenes which rely on light and not the indistinct flavours of light which make up classic noir.

Nobody Lives Forever (1946)

Nobody Lives Forever (1946) is a returning veteran swindler confidence-man romance drama film noir which like many prime examples of the style from the 1940s discusses the impossibility of going straight and escaping one's past in post-WWII American society that is noir as hell and a constant fateful threat, never to be reconciled with the American Dream.

Nick Blake (played by John Garfield) is a charming and roguish ex-con artist who has just been released from prison. He decides to go straight and live an honest life. However, he is approached by his former partner-in-crime, Doc, with an opportunity for a lucrative con job. The target is a wealthy widow, Gladys Halvorsen (played by Geraldine Fitzgerald), who is seeking companionship and may be susceptible to Nick's charms.

Nick reluctantly agrees to participate in the scheme, but as he spends more time with Gladys, he begins to genuinely fall for her. The two develop a romantic connection, complicating Nick's plans to deceive her. As the con unfolds, Nick faces internal conflicts between his desire for a new, honest life and the pressures of his criminal past.