The Night Holds Terror (1955), directed by Andrew Stone, dramatizes the terrifying ordeal of Eugene M. Courtier, whose real-life kidnapping in 1953 inspired the film. On February 13, Courtier, an Air Force technician, was abducted along a highway in Lancaster, California, by three criminals: Leonard Daniel Mahan, James Bartley Carrigan, and Don Eugene Hall.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Night Holds Terror (1955)
Black Tuesday (1954)
Shot on sparing sets and more intense and violent than your average 1954 thriller, Black Tuesday with Edward G. Robinson is one of those noir gems that you hear about.
More than the sum of its parts, Black Tuesday (1954) pulls an epic violent bad guy sociopath role from G. Robinson and does so across some of the most unique set scenery of the day.
The two sets largely used are a set of prison sets, including a shoot out exterior, and plenty high angles looking down staircases and across yards. The electric chair scenes are probably the best across the whole style.
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