Everything that we are seeing on these silver sets is a product of the formation of cinema, and the sets are the full epic of the era, hand built for thrills and lighting.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Cry of the Werewolf (1944)
Night Editor (1946)
This quiet epic of quick production B or C-movie magic and exploitation melodrama was adapted from a well-liked radio show bearing the same title. Its screenplay drew inspiration from an episode of the radio series titled Inside Story.
Produced by Columbia Pictures as a B-movie, it was intended to launch a sequence of movies chronicling the nocturnal adventures of crime reporters at the fictitious New York Star newspaper. However, no subsequent films in the Night Editor series were produced.
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