Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Killers (1964)
The Night Holds Terror (1955)
The Night Holds Terror (1955), directed by Andrew Stone, dramatizes the terrifying ordeal of Eugene M. Courtier, whose real-life kidnapping in 1953 inspired the film. On February 13, Courtier, an Air Force technician, was abducted along a highway in Lancaster, California, by three criminals: Leonard Daniel Mahan, James Bartley Carrigan, and Don Eugene Hall.
Edge of the City (1957)
Down at the docks where the men are we witness the petty trials of labour teams and the spilling over of race relations into murder. John Cassavetes is an insecure war deserter, a peripheral social figure and not one we see often enough in noir — where historically the hero has seen action.
This is different however, and the tough and realistic noir drama that takes place is as great a testament to left wing politics as it is to humanity and the value of integrity in all things.
Also in the cast are Kathleen Maguire, Ruby Dee, Robert F Simon, Ruth White, Val Avery, William A Lee, John Kellogg and David Clarke.
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