Showing posts with label Labor Relations. Show all posts
Showing posts with label Labor Relations. Show all posts

Black Fury (1935)

Black Fury (1935) is a labour relations coal country Pennsylvania-based Warner Bros. working class mining rough-shoddily Slav impersonating private police force versus striking miners based on a historic incident melodrama, with a poor American mining community relentlessly portrayed as a mob of easily swayed poverty stricken proles, versus the kind of private company police force that used to only a few years earlier, in 1929, beat to death striking workers that happened to be standing under the wrong club et sturdy baton.

That is in certain fact the story of John Barcoski who immigrated in to the USA in 1906, who was Polish, and who was beaten to death in Pennsylvannia by the PA's Coal and Iron Police on February 10th, 1929.

Salt of the Earth (1954)

Salt of the Earth (1954) is a feminist independent labour relations HUAC-influenced overtly left wing civil rights and anti-capitalist voiceover ensemble drama movie, not so noir in flavour as in provenance, and yet a study in defiance, gender and class in the minerally and ethnically graped American wasteland. 

In the scorched, unforgiving landscapes of New Mexico, Herbert J. Biberman's Salt of the Earth rises like a monolith against the decrepit remains of an industrial empire. 

New Orleans Uncensored (1955)

New Orleans Uncensored (1955) is a dockside labor-relations boxing mob corruption romance drifter narrative film noir set in America's second largest port, after New York, as the film makers and their voiceovers remind us de temps en temps.

New Orleans Uncensored is a dismal and entertaining noir waterfront drama set in the French Quarter and docks of New Orleans. This low-budget film punches above its balance sheet, as all such films must do, offering viewers an engrossing experience from the opening sequence. 

The plot revolves around freight theft on the docks, with several suspects in play. However, rather than keeping the audience guessing about the perpetrators, the film takes a unique approach by revealing the culprits early on and focusing on the systematic destruction of a criminal network.