The Spider Woman (1943)

The Spider Woman (1943) is a Roy William Neill Basil Rathbone and Nigel Bruce 1940s era mid-war Sherlock Holmes serial movie series entry horror (?) film production and extremely rough adaptation serial killer and sleuthing light entertainment crime and detection film with various noirish aspects, and also starring as it does Gale Sondergaard and Dennis Hoey, may be one of the better items on the Holmes 1940s registry.

The Spider Woman (1943) occupies a curiously authoritative position within the Universal Studios Sherlock Holmes cycle, a position it did not reluctantly inherit but rather seized with a vigour that demands attention. So Holmes, so far. Curios and authoritative, we are fans and though this not be noir, it is still noir informed and noir informing, so give it credence.

Sherlock Holmes Faces Death (1943)

Sherlock Holmes Faces Death (1943) is a Basil Rathbone and Nigel Bruce locked room gothic mansion and family estate murder mystery and mild mayhem exceptionally loosely adapted Sherlock Holmes co-opted for the purposes of World War Two serial movie.

In contemplating Sherlock Holmes Faces Death (1943), one encounters not merely another instalment in the venerable Basil Rathbone and Nigel Bruce canon but, to borrow from my own reflection, « une sorte de liturgie du mystère » — a liturgy of mystery. I like to say things in French, sometimes. It doesn't just sound good., It adds extra meaning, I know it.

Sherlock Holmes and the Secret Weapon (1942)

Sherlock Holmes and the Secret Weapon (1942) is a Basil Rathbone as Sherlock Holmes wartime propaganda appropriated Conan Doyle characters Holmes serial movie classic about a wartime plot from Nazis to bugger up the British effort amid Eurowaldian English and East End smog shenanigan and cliché, and with mis en scene which is semi-noir while owing more to the espionage pictures adorably coming to represent conspiratorial reality as America takes a various angled dim view of the efforts of their soon-to-be allies against Hitlerism, still framed as anti-British and not yet anti-American.

Black Angel (1946)

Black Angel (1946) is a mystery female seeker hero lousy husband alcoholic amnesia film noir from the heart of the classic noir period.

Jean-Luc Godard said that all you need for a movie is a gun and a girl — and bien sur, Monsieur Godard knew his noir.

Certainly, Black Angel (1946) satisfies Godard’s wisdom within one minute.

There’s a lot of noir in that first minute of Black Angel. 

Darkness, shadows, the down-at-heel, a glamorous girl with a gun, and piece of music that is going to haunt everyone right to their graves.  

Black Angel is a classic noir and as a signpost into the magic of the media in question, consider it as fantastical elements. This part of the story and the weirdness of ambience, focused in dreamlike and ridiculous assertions, that are more nightmare like in fact, this is a hallmark more than any other to show how 40s noir was the very crucible of mystery and crime cinemas many subsequent genres.