As well as a searing enough tale of conflict between man and bottle, Appointment with a Shadow (1957) tells a strange criminal face-lift noir, back from when face changes as plot device were as firm a fantasy as film could enjoy, and so in this instance it seems credible that a criminal mastermind has only to put it about that he has had his face changed, and confusion reigns.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label George Nader. Show all posts
Showing posts with label George Nader. Show all posts
Appointment with a Shadow (1957)
Appointment with a Shadow (1957) is an alcoholic journalist switcheroo murder pursuit battle with the booze film noir from the far end of the noir style.
Man Afraid (1957)
Man Afraid (1957) is a morality murder widescreen revenge, religion and child film noir from late in the cycle, dealing with issues of culpability and trauma, in the light of a Christian minister accidentally killing a young burglar.
This fascinating tale is told as mentioned in ludicrous wide-screen, giving extra inches of enjoyment on either side of the action, and often leaving large black and white expanses of unfilled space, ready to be made into any flavour director Harry Keller can conceive.
Despite the religious consultant mentioned int he credits however this is not a religious movie, but just so happens to be a movie about a religious man.
.png)
.png)