Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Blonde Ice (1948)
Decoy (1946)
The source of the drama is easily stressed -- it's a box with $400,000 in it, the proceeds of a robbery.
And the leading actor in the villainous and double crossing pursuit of this box, is an energetic and deadly femme fatale performance from Jean Gillie, a British actor in her first American film role.
Actor Jean Gillie had a short, short life and Decoy, for all its ills and budgetary constraints was her penultimate film role.
For a film that doesn't boast much in the way of star performances, or glorious set pieces, Jean Gillie gives a helluva lotta goods in this short and at times brutal film noir.
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