Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
The Mummy's Tomb (1942)
The Amazing Mr. X (1948)
The film tells the story of a phony spiritualist racket, which is rather excellently described with the various tricks of the trade merrily on display, much as they are in fairground noir Nightmare Alley (1947), which also reveals some of the tricks of the trickster's trade in all their shabby glory.
The film is prominently featured in Alton's book on cinematography Painting with Light (1949) and , the photography does certainly have a full-on film noir feel, with its massive plays of dark and light around doorways and stairways and other architectural corners — including an interesting and repeated shot of the spiritualists at work via the crystal ball — shot from below. Some of the most memorably and recognisable film noir photography on the block.
Another of the stranger angles places the viewer inside a sink.
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