No monstrous modes of action herein but something that seems to prefigure the British Hammer films of the later 1950s and the 1960s, with a village horror kind of vaudevillian villain most mild torture and cruelty, with visions of captivity dominating the viewers delivered palette of ideas.
Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
Showing posts with label Anna Lee. Show all posts
Showing posts with label Anna Lee. Show all posts
Bedlam (1946)
Bedlam (1946) is a historical shocker exploitation psychological thriller horror noir based on the drawings of William Hogarth and telling of exhibitionism, cruelty and vintage style madness, sympathy and bedlamites of yore in fig, pose, phantasy and framed with filmic license aplenty, talking much of the madness, and mildly exhibiting the standards of the earliest and most genteel modes of exploitation as cinema.
The Crimson Kimono (1959)
The Crimson Kimono (1959) is a brave bold and swingin Samuel Fuller race relations cop buddy noir with James Shigeta, Glenn Corbett and Victoria Shaw talkin and walkin the truth of Japanese American living on the West Coast in the late 1950s.
Amid a racial tolerance plea and a complicated love story that blossoms and battles its truthful way to a happy and promising conclusion, there is amid this and lurking there somewhere to be found a murder melodrama too.
In one mouthful cheap and cheerful buddy noir when buddy noir was not really a thing — nobody should trust anybody in film noir — least of all your partner.
Hangmen Also Die! (1943)
At the height of the Nazi occupation of Czechoslovakia, four German
exiles in Hollywood:
- director Fritz Lang
- playwright Bertolt Brecht
- composer Hanns Eisler
- and actor Hans Heinrich von Twardowski
... combined their skills to make Hangmen Also Die!, a surprising film noir propaganda piece about the
Czech resistance.
Twardowski plays Reinhard Heydrich, an SS
Obergruppenführer and the 'Reich-Protector' of Czechoslovakia, an infamous character from history and known
alternately as 'The Hangman' and 'The Butcher of Prague'.
When he is assassinated by a surgeon (played by Brian Donlevy), the city is locked down and the doctor must rely on the help of the resistance to evade capture.
Hangmen Also Die! is a fine mix of war picture, film noir
and political thriller, with other surprising elements including mad Nazi darkness to the fore.