The title of Temptation Harbour (1947) is doing a lot of heavy lifting here, lifting of wet suitcases full of money from the harbour, the harbour wherein the temptation lies, floating, and so nobody gave much thought to letting the old tale roll with such an oddly unflattering production designation for this now triple-remaker Simenon bobbing by the shore watery crab hunting classic of noir.
Is decency real? is the question of the day and the coal burning in this hard working and effective tale of temptation, and morality, and doing the right thing, which of course has been presented before, and is still presented yet, and as has been said, miraculously presented three times in the case of the suitcase belonging to the man from London.
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