Assassin For Hire (1951) is a contract killer stricken with remorse murder sleuth and plod procedural family hitman Limey British film noir with Sydney Tafler voicing an uncomfortably cliched and inappropriate Italian accent, a secret life or identity noir, in which, pretending to be a rare stamp dealer, a Tafler man supports his wife, and in an embarrasmenta of mama-style Italiante clichés, his musically talented younger brother, lives a secret nocturnal life as a hitman, nipping out of the same card game at the same café, to bump off unworthy Limey marks.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label Martin Benson. Show all posts
Showing posts with label Martin Benson. Show all posts
Wide Boy (1952)
Wide Boy (1952) is a post war Limey spiv noir which is a blend of police procedural, classic fated weakened male lead noir, lousy husband noir, blackmail noir, and the typical descent into crime downward trajectory film noir which was popular as a medium backdrop in the dispositif-forming 1950s, when either teenagers, war-shirkers, and unwise family men move from one relatively innocuous crime — the vending of black market stockings and fags — for wor post-war British purposes 'cigarettes' — to theft, to blackmail — inevitably to murder.
Seamy Trümmerfilm glamour and ethical collapse collide in this low grade limey film noir.
.png)
.png)