This was not a social media event, but prefigures some of our crazed modern censoring in a few material manners.
Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
The Hollywood Ten (1950)
Champion (1949)
A remarkable and entertaining vehicle for the young Kirk Douglas, for whom this was a certain break-through role, Champion (1949) is not lauded much as a great noir, although it is, with first rate performances and high drama and emotion, sweeping through much of American social systems and presenting as well as any other high-period film noir does, the story of the individual against himself, against the country, against the insurmountable cruelty and manipulations of the system that elevates sport to the wild, corrupted and abusive focal point of life it will become.