It is almost in a way a new and undiscovered media, what might be called simpleton noir. Joseph Pevney’s Flesh and Fury occupies a fascinating position within the boxing genre, offering a melodramatic yet compelling exploration of identity, class, and vulnerability.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Flesh And Fury (1952)
I Was A Shoplifter (1950)
In 1950s California, the police force tries to infiltrate and neutralize a shoplifting crime ring operating in major department stores.
I Was a Shoplifter (1950) stars Mona Freeman as Faye Burton, a judge’s daughter turned kleptomaniac, in this gripping crime drama. Scott Brady plays undercover cop Jeff Andrews, who shadows Faye as she’s forced to join a shoplifting ring led by the merciless pawnbroker Ina Perdue, portrayed by Andrea King.
Angel Face (1953)
Angel Face (1953) is a obsessive paranoid murder madness classic film noir from RKO Radio Pictures, the home of film noir, film noir central, as it should be known, and a late late entry from the great forgotten studio, and maybe one of the few from the Howard Hawks era that can be enjoyed for its full scale bizarre noir melodrama.
It's hard for some people to recover from the initial sight of Robert Mitchum in that apron. He is a lousy guy, yet hopefully not a lousy ambulance driver and medic. In the motor car noir aspect of Angel Face (1953) he is a bulk boy to be racing the elite cars so maybe ambulances are his thing.
He wants to race elite though and that is what happens. As a lousy boyfriend he is up there with the lying best of them. He doesn't mind a bit of the cheat and like any good heel does not spot the femme fatale with the offer of not just an apartment but more than that.
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