The Fountainhead (1949) is an Ayn Rand adaptation and scripted hyper-melodramatic didactic economics and social science charged pre-post modern pre-relativist objetivist and more than just a little film noir tinged melodrama of rags to riches UnAmercian Dream-style semi-speculative cross class dedication to art and architectural and individualistic vision unromantic romance set-up with its no promises and no obligations ultar-objectivist marriages alternate reality white suprematic media manipulation and propagandist anarcho-capitalist post-communist anti-communist media demagogue public opinion forming artisitic vindication of terrorism in the name of individualism impotent platonic-erotic love triangle drama directed by King Vidor and starring Patricia Neal, Gary Cooper, Raymond Massey, Kent Smith, Henry Hull, Moroni Olsen und Ray Collins, yah, Ray Collins is in this film produced by Henry Blanke.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label Henry Blanke. Show all posts
Showing posts with label Henry Blanke. Show all posts
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