The Mummy's Tomb (1942) is a Universal monster series early to mid forties Lon Chaney recyclathon gauzed menace archive footage filled fun filled shadow sequel mummy movie from Harold Young with Elyse Knox and Tuhran Bey and reprise roles with George Zucco, and Dick Foran, as well as Wallace Ford combined in a conceptual orientalist expression of North American longing for immortality combined with colonial guilt re-wiped and the use of the word 'occidentals' among other blundering culture and race jamming.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label Peggy Moran. Show all posts
Showing posts with label Peggy Moran. Show all posts
The Mummy's Hand (1940)
The Mummy's Hand (1940) is a fun flick follow up but not sequel Universal Classic Monsters US horror chiller mummy film directed by Christy Cabanne and produced by Ben Pivar, about the ancient Egyptian mummy of Kharis (played by Tom Tyler), who is kept alive with a brew of tana leaves by The High Priest (played by Eduardo Ciannelli) and his successor Andoheb (played by George Zucco), which used stock shots taken from The Mummy (1932), leftover sets from James Whale's film Green Hell (1940), and musical scores almost entirely lifted from Son of Frankenstein (1939). Wallace Ford and Cecil Kellaway play incredible acting roles keeping the show going, indeed this may even be a Kellaway classic.
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