Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
The Fallen Sparrow (1943)
Tokyo Joe (1949)
The returning veteran noir never had a better twist as the return is made to the defeated country, which is Japan. After spending World War II in the Air Force, ex-Colonel Joe Barrett returns to Tokyo to see if there is anything left of his pre-war bar and gambling joint, Tokyo Joe's.
Amazingly, it is more or less intact and being run by his old friend Ito. Joe is shocked to learn from Ito that his wife Trina, whom he thought had died in the war, is still alive. She has divorced Joe and is married to Mark Landis, a lawyer working in the American occupation of Japan. She has a seven-year-old child named Anya.
Bury Me Dead (1947)
Made by Eagle-Lion films, this entertaining if slight and lightweight film noir is a straightforward whodunnit, with more of a who-tried-to-do-it feel, as the murder victim survives the attempt on her life, and must then sleuth out the would-be killer from the cast of friends and family.
When the remains of a woman's body are found after a fire consumes the stables on the estate of wealthy Barbara Carlin, it is assumed that the body is hers, especially since the body is found Barbara's diamond necklace.
Classic noir mystery weirdness kicks off the action however, with the mourning victim on the way to her own funeral in a taxi — an event rich in an almost goofball flavour of black comedy.