Showing posts with label John Kellogg. Show all posts
Showing posts with label John Kellogg. Show all posts

The Thirteenth Hour (1947)

The Thirteenth Hour (1947) is a haulage and hallucination diamond smuggling duplicity and mystery film noir story from the The Whistler series of the films, eight of which appeared in the 1940s.

Haulage heel Steve Reynolds, played by Richard Dix, is a trucker guy who falls foul of a scheme that he uncovers from what seems like a series of accidents, and may in fact just be that, a series of accidents. 

Indeed and for whatever reason, there are questions unanswered at the conclusion of this tale, possibly the greatest of these being why is this film called The Thirteenth Hour, and what is the thirteenth hour and what in fact is it the thirteenth hour of?

Station West (1948)

Station West (1948) is a private eye cynical male lead morally ambiguous rugged frontier Western tale of deceit, violence and heists, and is likely a star case of the strangely elusive and debatable category that the cineastes and afficionados refer to as film noir Western, or Western film noir.

Snappy, moody and splashing a wagon load of Sedona scenery, Station West is an earnest and honest item of op class Americana from the days when film noir and westerns were the absolute staples of 

Sidney Lanfield, director, is not best known for film noir although he did direct the 1939 The Hound of the Baskervilles, a classic of more than just one canon, and comedy and romance with a little bit of musical might describe his work. The closest effort to a spy film within his range might well have been The Lady Has Plans (1942), a comedy spy thriller with Ray Milland and Paulette Goddard.

Johnny O'Clock (1947)

Johnny O'Clock (1947) is a sinister snappy-dialogue murder and finally it has to be said classic film noir which is a lot of fun and is surely one of the hidden gems of the who noir effort of the 1940s.

Complex in approach and yet diverting in its charm and snazz, Johnny O'Clock is a waltz through the film noir style, able to copy with mystery, murder, deception and some vile violence, before it wraps up and paces stylishly through its conclusion.

New York gambling house operator Johnny O'Clock played by Dick Powell, is junior partner in a smart  casino with Guido Marchettis (Thomas Gomez) and Chuck Blayden (Jim Bannon), the latter being a crooked cop.