The late 1950s brought black-and-white television to new heights, with The Untouchables exemplifying the era’s gritty appeal and plunge into endless tropery, some of which started right here. Known for its violence, the show stirred controversy in its day, with its portrayal of mob brutality and intense confrontations between law enforcement and the Chicago crime syndicates.
Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
The Scarface Mob (1959)
Storm Center (1956)
The picture which packs a certain punch for its ultimate lack of 1940s style chiaroscuro, hoods, slayings, femmes fatales — and other recognisable forms of film noir — is one of the more subversive of the later film noir era and bravely enough is thought to be the first overtly anti-McCarthyism film to be produced in Hollywood.
It is said that in the year of 1950, the United States' share of the entire world Gross Domestic Product was in the region of 50% — and this from a nation that contained only 4% of the world's population.