In the murky domain between madness and decorum, Charles Vidor's 1941 film Ladies in Retirement emerges as an exquisitely wrought chamber piece of deceit, loyalty, and murder.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Ladies in Retirement (1941)
Blind Alley (1939)
Blind Alley may well be a fairly unique prospect — it appears to be a fully-enough formed film noir production — produced at a time before the film noir style and approach was fully formed.
In terms of solid film noir elements we do have a few firm foundations in place which must classify Blind Alley as a film noir.
Firstly, Blind Alley features psychoanalysis as the tool which solves the crime, and gets to the bottom of the psychopathic criminal's dilemma.
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