You already like Donald Sinden, you may not know it, but here in this heroic foggy fugue, you've come to love him, before anyone else had met him.
Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
Tiger in the Smoke (1956)
Don't Bother To Knock (1952)
The screenplay was written by Daniel Taradash, based on the 1951 novel Mischief by Charlotte Armstrong.
In the picture, Monroe plays a blinder as a disturbed babysitter watching a child at the same New York hotel where a pilot, played by Widmark, is staying.
He starts flirting with her, but over the evening her strange behaviour makes him increasingly aware that she is most mentally disturbed indeed.
Marilyn Monroe's better known for any number of reasons, but often these reasons are not acting. Here she plays Rose Loomis, she’s got scars on her wrists, a past as murky as the Hudson River, and a penchant for trouble. Rose is the niece of the hotel’s elevator man, a guy who knows more about the guests than the bellhops know about their tips.
Inferno (1953)
Inferno however is saved from most of the widescreen peril of most color noir and despite employing a moderately beige and drab process, manages to follow its noir roots well, and wear its hard-boiled pants hitched right.
As a superior vehicle for noir's captain of the tough-side Robert Ryan, Inferno offers perils and deceits and desert sun and rolls out hard with its dangerous tycoon narrative, as Robert Ryan with a broken leg is ditched in the desert to di of exposure by his scheming missus and her lousy lover.
In the rugged expanse of the desert, a formidable and driven business magnate finds himself ensnared in a dire predicament. Live or die, your choice tough guy.