Showing posts with label Roy Ward Baker. Show all posts
Showing posts with label Roy Ward Baker. Show all posts

Tiger in the Smoke (1956)

Tiger in the Smoke (1956) is a fog-bound British returning veteran Limey street gang treasure and deception paranoid woman Post-War London underworld adventure thriller film noir, and a movie notable not just for its atmospheric River Thames silent credits, but the copious amounts of fog, mist and vapour within its sets and dramaturgy  for no other movie of the era or indeed of any era, including many a Victorian horror epic, has more wool-thick smog and smoke in it, than this modest mirk of gloaming pea-soupery.

You already like Donald Sinden, you may not know it, but here in this heroic foggy fugue, you've come to love him, before anyone else had met him.

Don't Bother To Knock (1952)

Don't Bother To Knock (1952) is a psychological character study thriller film noir starring Anne Bancroft, Richard Widmark and Marilyn Monroe and directed by Roy Ward Baker. 

The screenplay was written by Daniel Taradash, based on the 1951 novel Mischief by Charlotte Armstrong. 

In the picture, Monroe plays a blinder as a disturbed babysitter watching a child at the same New York hotel where a pilot, played by Widmark, is staying. 

He starts flirting with her, but over the evening her strange behaviour makes him increasingly aware that she is most mentally disturbed indeed. 

Marilyn Monroe's better known for any number of reasons, but often these reasons are not acting. Here she plays Rose Loomis, she’s got scars on her wrists, a past as murky as the Hudson River, and a penchant for trouble. Rose is the niece of the hotel’s elevator man, a guy who knows more about the guests than the bellhops know about their tips.

Inferno (1953)

Inferno (1953) is a vivid Vista-Vision survival epic revenge desert color film noir from the baffling files of bright and gaudy three dimensional 50s.

Inferno however is saved from most of the widescreen peril of most color noir and despite employing a moderately beige and drab process, manages to follow its noir roots well, and wear its hard-boiled pants hitched right.

As a superior vehicle for noir's captain of the tough-side Robert Ryan, Inferno offers perils and deceits and desert sun and rolls out hard with its dangerous tycoon narrative, as Robert Ryan with a broken leg is ditched in the desert to di of exposure by his scheming missus and her lousy lover.

In the rugged expanse of the desert, a formidable and driven business magnate finds himself ensnared in a dire predicament. Live or die, your choice tough guy.