Showing posts with label William Haade. Show all posts
Showing posts with label William Haade. Show all posts

Island of Lost Men (1939)

Island of Lost Men (1939) is a undercover cop exotica yellowface Teutonic expatriate adventure crime romp up the dark rivers of the racists century and hard into the orienticals in more ways than just the music and the music is bullying and harassing of a certain type of perfectly exampled nature of the era, for which engaging in ridicule as a proceeding was the tone of reckoning, even for horror, in its serious moments of introspection.

What is horror? It's a bit like being stuck in a watery hole, maybe as in The Deer Hunter (1978). The young Broderick Crawford finds out in Island of Lost Men (1939). Broderick Crawford may be the most film noir aspect of this non-noir branch reform of the form.

Kid Galahad (1937)

Kid Galahad (1937) is an ingenue in the ring classic boxing sports and bellboy Humphrey Bogart is the baddie high-thirties Michael Curtiz greatest director of all time steamer with a floof performance from Bette Davis and a flouncy show from Bette Davis' own acting discovery Jane Bryan, and Wayne Morris, Wayne who is his own mystery man of film noir, which shall be laid out a little below, while this Curtiz cut is not film noir, nor even not a little or with a slight flicker of noir, which oddly made it likeable material for the main event which appears to be the 1962 starring Elvis Presley remake of the matter.

Ingenue in the ring country bumpkin with his trouser legs cut off by a near blow jobbing Humphrey Bogart must have looked good on Elvis too, because he is as much of a bellhop as he is a boxer, and Wayne Morris, mystery man of film noir is the same.

Key Largo (1948)

Key Largo (1948) is a classic film noir home invasion criminal versus returning war veteran drama thriller directed by John Huston and starring Humphrey Bogart, Lauren Bacall and Edward G. Robinson.

A full noir cast however awaits within the reels of Key Largo (1948), revealed with the standard credit sequence and a short aerial introduction and voiceover, explaining where we are, embedding the physical in what turns out to be high impact environment, both human and meteorological.