Noir-flavoured science fiction horror exploitation cinema is an important enough niche on its own but adding radiation and nuclear threat and bottom slapping pipe-smoking patriarchy
As with all good 50s noir and atomic paranoia narrative the suburban dream is safely central to the threat and is the world normative and in toto at threat of tipping into a void, in this case a radioactive brain chip zombie plague that is able to significantly interrupt national infrastructure, but unable to interrupt the laughing marital rump slapping and after work cocktail of the pipe smoking patriarchy.
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