That can be said because 1950s noir, and noir of 1955 and beyond, did tend toward production with a television set in mind, and Kubrick's take, while featuring television as a minor but key plot component, does lean with an artistic eye into the shadowy roots of the style, opting into darkness and closed up lighting as a final look.
Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Showing posts with label Frank Silvera. Show all posts
Showing posts with label Frank Silvera. Show all posts
Killer's Kiss (1955)
Killer's Kiss (1955) is a moody voiceover and flashback classic boxing and voyeuristic intrigue-driven Stanley Kubrick low budget auteuristic film noir which distils elements of the style into a commercial feature film, almost in fact a moulding of the medium by the master-to-be into a noir-by-numbers example of the form as it was then being recognised by the more observant and critical critics and students of the cinema, as it began to cleave itself away from the staid almost televisually-based look and feel of the mid-decade.
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