Classic Film Noir exposes the myths by which we fulfil our desires and lays flat the means by which we created the audiovisual dispositif — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, paranoid women, lousy husbands, red scare and HUAC, boxing, drifter narratives, crooked cops, home invasion noir, docu-style noir, returning veterans, #KEFAUVER! cowboy noir, vacuum cleaners in film noir, outré noir, espionage noir — and more.
Blonde Ice (1948)
Son of Dracula (1943)
In terms of presentation, acting and character, the horror films of the 1940s were not as sophisticated as the classic noir productions of those years.
In the domain of thematic substance, the elegant tapestries of Gothic horror that graced the silver screen during the nascent 1930s may indeed exude a semblance of gentility when juxtaposed against the prevailing benchmarks of our contemporary standards.
The noir taste is evident, but the nascent horror film has little in common with film noir. There is not even a great commerce between actors and the genre, versus the film noir style.
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