Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban dream — 1940 to 1960 — FEATURING: amnesia, lousy husbands, paranoia, red scare and HUAC, boxing, drifter narratives, crooked cops, docu-style noir, returning veterans, cowboy noir, outré noir — and more.
Experiment Perilous (1944)
Crossroads (1942)
William Powell plays a diplomat whose amnesia about his past subjects him to back-to-back blackmail schemes, which threaten his reputation, job, marriage, and future.
The film was based on the 1938 French film Crossroads which had also had a British remake called Dead Man's Shoes in 1940.
With shimmering cobblestones and foggy streetlamps, and deception, blackmail and a surprising if dubious mystery story, Crossroads (1942) is a prime example of 1940s amnesia noir.
Hangmen Also Die! (1943)
- director Fritz Lang
- playwright Bertolt Brecht
- composer Hanns Eisler
- and actor Hans Heinrich von Twardowski
When he is assassinated by a surgeon (played by Brian Donlevy), the city is locked down and the doctor must rely on the help of the resistance to evade capture.