The Thief (1952)

The Ray Milland Season dilates in time, endures with fascination. 

The Thief (1952) is a non-verbal one of a kind atomic age location-shot nuclear secrets classic Ray Milland and Russell Rouse film noir, both innovative and inventive, curious and classic, telling the engrossingly spun paranoid tale of one man's turning Communist spy and his discovery and having to go on the run, with escape and capture fantasy played out across New York, in some most famously shot locals and corners.

Marnie (1964)

Marnie (1964) is the classic late period seriously is it the last meaningful Alfred Hitchcock film or at least the last he fully cared about? psychological late late period classic analytic thriller cineamternity Freudian love melodrama suspenseful sex mystery paranoid woman lousy husband drunken sailor classic neo-film noir, with all the big tricks of the Hitchcock trade, and Tippi Hedren facing Sean Connery, who plays a publisher called Rutland.