Except for a few instances, Lady in the Lake is presented exclusively from Marlow’s point of view with Montgomery providing the detective’s voice.
At some points the camera is punched by some tough guy. There are some other amusing tricks, like when Marlow is on the phone, we see the mouthpiece, blurred in the lower frame; and when Marlow holds a lit cigarette, smoke drifts up from below the frame.
At one point, the hard-working femme fatale leans in for a kiss on the lens.
Although the film had box office success, many critics were conflicted at Montgomery’s use of the subjective camera.
One New York Times critic saying that after awhile the technique’s effect “begins to wear thin”. Despite its downfalls, the Lady in the Lake is a classic film for noir fans and for those who like variety in their storytelling.
And what else? All else is but curiosity. Perhaps someone has to make one of these Point-of-View movies every generation. Strange Days (1995), and The Diving Bell and the Butterfly (2007) spring to mind, and then of course there is Hardcore Henry (2015). There are a handful of contenders out there, and not all of them entirely First Person Point of View.
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